How to Measure The Sound Quality of Headphones


Discussions have emerged among people that use headsets about their quality since the first couple of headsets were made. The enormous growth in the recording industry and the economic market has brought many various prototype headphones into our everyday lifestyle, leading to disagreements between regular buyers, experts, and musicologists. Their disparities refer to the general design of the headset and the supremacy of a prototype over another prototype. Measuring the sound quality might seem complicated, but if you take the time to read this article, you can easily calculate the sound quality of your headphone or earbud.

Calculating the accuracy of the audio 

It is not just the intuition of cinephiles to measure the quality of the recording you vibe to while listening to music. It is quite real, as the devices used to conduct the measurement. Audio fidelity assessment is a method of assessing several criteria that significantly affect the quality of the recording. Range Given that most of us can not perceive any of these frequencies, headsets with a broader range are considered more valuable, and the reason for that is the power of the individual eardrum and brain to feel the frequencies it cannot perceive. However, the frequency response can be calculated, and reasonably accurate data can be obtained from the procedure. For estimation, this involves equipment and so-called fake heads. Measurement microphones are located inside each inner eardrum of the phony charge so that the audio coming from the headset comes straight to them to test their resonant frequency. Usually, the results of these calculations are displayed as two-line graphs, one for the replicated frequency range and the other at each particular frequency for the relative output level of the eardrum phones. The frequency response of a couple of headsets is a little simpler to calculate than calculating the same specifications of a couple of Bluetooth headsets. The problem is that the buds are inserted within the eardrum canal, and they become a part of the channel. Since the dummies have shaped their inner eardrum in a specific way, using this type, which is not as unique as the shape of the human eardrum canal, it is not wholly accurate to determine Bluetooth headset frequency response.

Spurious-free Dynamic Range 

The lowest power signal measure we can distinguish from one significant false signal is SFDR. In other words, it is the proportion of the raw signal to the most potent conflicting stimulus within the production. SFDR is usually expressed quantitatively in dBc or dBFSS.

Signal-to-Noise Ratio 

SNR is a measure of the audio quality described in db. (decibels). SNR contrasts the proportion of signal levels and the ability for ambient noise. Higher SNR values mean that your headsets are more stable and that more exact eardrum audio replicates (higher quality audio). To explain it, we will use a simple analogy. Let’s presume that you are addressing a request using your headsets in a packed cafeteria. On the other hand, to allow you to perceive the individual, your headsets should have an immense level SNR to make the signalling perfect and louder than the interference.


Impedance is not directly related to audio quality. Still, it influences the amplitude of the headset (which is an important trait when assessing voice signals for several folks), and it is measurable, so we decided to include it in our report. Impedance represents the resistance of your system to the electrical charge, and it is expressed in Ohms. When you look at the specs of your headsets and interpret the impedance, you should know when to use the information because the most crucial part about impedance is not the value alone. The buyer can match his/her headsets with the appropriate audio systems. For example, when listening to audio stored on your computer, you cannot use a high impedance headset because high resistance will block the sound out. On the other hand, when using professional audio equipment, you need a more robust resistance headset, usually having an amplification that will give them more energy and produce perfect and more precise audio.


Responsiveness, apart from resistance, is also a predictor of headset amplitude and is calculated in dB of SPL/mW (decibels of audio pressure level per milliwatt). Responsiveness is the metric of how effectively a couple of headsets can turn an electronic current into audio. It also measures the amplitude of the headsets for the given source information.


We have tried to explain the concept for every specification that can be used to judge the audio headset’s performance and express the understanding in figures. These figures are supposed to expose any of the headset secrets to all people who feel those figures. We’ve ideally managed to reveal a portion of the mystery and clarify plenty of stuff. However, we said that the figurines are just one part of the equation at the start of this blog.

The fact is that each prototype headset is unique and that each audio prototype is distinct. Figurines happen because numerous headsets have several audio fingerprints. There should only be six audio fingerprints, but you get all these variations when you add physical characteristics to the formula. Some of these trademarks are preferred when listening to rock or electronic audio. In contrast, others are ideal for traditional or musical audio, but the most crucial part is that they match your eardrum drums. Some of us have partial deafness, which means that our listening flaws are balanced by a perfect couple of headsets and make us feel happy and alive. So, if you are still not aware of all these objective ways of determining the quality of headset audio, we suggest that you let it go. Only go to a store to try a few couples. Perceiving some of your favourite songs on the various headset and wearing a couple of headsets that presents audio in a way that makes you groove, and you’re not starting to find an error. Ignore the figurine and play with the punch!